It's a lonely life...that of the necromancer, er freelancer

A blog by a designer and illustrator, for designers and illustrators which may contain musings on art, movies and random weirdness.

Monday, July 21, 2014

The New Salem Theatre Brochure

The latest brochure for the 12th Season of the Salem Theatre (formerly known as the STC). The hot-off-the-presses brochure includes the new logo and branding and some very fun show identity illustrations by artist Heather Reid. This is my third brochure for the Salem-based company, and my first for the new Artistic Director Matthew Gray, and new Managing Director Kate Ventimiglia.

Friday, July 18, 2014

The Complete Works of Shakespeare (Abridged) Theatre Backdrop

I have been working on a canvas backdrop for the Hub Theatre production of The Complete Works of Shakespeare (Abridged) . The director of the theatre, Lauren Elias, contacted me through Marc Ewart, a stage manager, prop-builder, and all-around crafty person I have worked with on several other productions. They needed a lightweight canvas backdrop that could be used as a curtain for the actors to slip behind for the many quick changes required for this show.
Lauren had some different ideas about what she wanted for an image. One idea was to have an image of the original Globe Theatre, and be labeled as such, The other idea was to have large comedy and tragedy masks. She wanted it to have an "old-timey" feel, look interesting, but not so interesting as to draw focus from the actors.
I did some research and collected as many images of the Globe as I could. The two I was most attracted to were both taken from an old period engraving showing the Thames River, and the adjacent section of London including the Globe. One was a detail.

The other was a more modern interpretation of the same structures.

I liked the line work of the  engraving however, it would need to be simplified in order to be painted, and read clearly. Both images were just too busy. I tried a simple layout.

I had done some research on comedy and tragedy masks, but frankly did not like the idea of the masks alone. I then had the idea of combining the masks and the globe into one composition.

Lauren liked the basic idea, but it was still way too busy, and needed "The Globe" type as well.
I introduced a decorative frame, both to contain the image, make it look more theatrical, and to simplify by eliminating a lot of  unnecessary detail.

The backdrop was originally set up to be 12 feet wide by 9 feet high. It soon became apparent that this would be impractical for the performance space, so it was reduced to 9 feet by 7 feet. The resizing squashed the images of the comedy/tragedy masks. I also wanted to simulate the coloring I was going to go for on the final painted version. So I came up with this, final version of the sketch.

Lauren approved this version. Now it was time to start painting. Marc purchased a10 foot by 20 foot canvas dropcloth. It was the only way we could get a  piece of canvas large enough without having to stitch it together ourselves. We found a wall at my office large enough to pin the canvas to. We then primed it  with gesso. The cloth was very absorbent so it took nearly a gallon for one coat. After the first coat was dry, we mixed up a combination of yellow-ochre and gesso to give the background the yellow tone of aged parchment.

Next, we used a Panasonic Digital Projector to project the sketch onto the canvas.

Using a brush and raw umber acrylic paint, Marc and I outlined the image.
Here is the first day's progress. You can see that we have outlined all of the major areas, and roughed in some areas with various shades of brown.

The second day was spent coloring the various areas. Although I originally wanted to keep the banner strictly monochromatic, I soon realized that some color would help the banner read more clearly in a theater. I tried to keep all of the colors subtle earth-tones. The hardest part was keeping the colors consistent and wet enough to cover a large area before drying out.

Here is the banner in progress.

Here is the final banner.

And here is the final banner on stage on opening night.
Managing Director and co-founder Lauren Elias said " ...the banner is beyond my wildest dreams! "
Thank you Lauren!

The Complete Works of Shakespeare (abridged) is playing at the Club Café , 209 Columbus Ave, Boston from July 18th through August 2nd. Their website is here:

Tuesday, July 1, 2014

An Unkindness of Ravens

The Scarlet Letter Press in Salem, MA is sponsoring an art show inspired by Edgar Allen Poe. Called "Spirits of the Dead" the show is seeking Poe-inspired artwork, hand-made jewelry& crafts for an October 2014 Gallery Show. They are participating in a national month of recognition to support the City of Boston's installation of a life-sized Poe bronze, sculpted by Stefanie Rocknak. The sculpture is being installed around October 7th, the anniversary of Poe's death. Previews of the clay sculpt, can be seen at .
I want to enter the show, and have been kicking around an idea that I originally executed when I was attending MassArt, way back in the stone age. If I remember correctly, our illustration teacher, Tom O'Hara, gave us groupings of animals to illustrate, such as a gaggle of geese, a clique of owls, etc. Some of the names for groupings of animals were quite surprising, such as a "murder" of crows. The animals were assigned at random by drawing a slip of paper with the name of the animal on it, literally out of a hat.
My animal ended up being the raven, which are referred to in a group as an "unkindness". It was up to the individual student to decide how to visually represent the grouping. Most of these took the form of a visual pun. The more imaginative, the better.
At the time I had been reading a collection of Poe's short stories for one of my English classes, and of course "The Raven" sprang immediately to mind. I have always been a fan of Poe, partly because of his writing, but also because he seemed like such a glorious nut-job.
Now images of Poe with a raven are hardly original, so for my interpretation, I needed to up the anté. I wanted Poe, sitting at his writing desk, being menaced and annoyed by not just a single raven, but by a ridiculous number of ravens. I don't remember how many I had in the original, but I had them sitting on his desk, the back of his chair, pulling his hair, pecking at his pen, dipping their beak in his inkwell and flying around the room. Poe had a look of exasperation and distress on his face. The effect was more comical than horrific. I remember that people seemed to like it.
In the 30 years since I graduated, after several moves and a divorce, I lost almost all of my college work, including the original piece.
Recently I decided to try and "re-imagine" the original. The original piece was vertical in orientation, and Poe was dead center, surrounded by ravens as if in the center of a storm. It was also done in black and white. The new version was going to be a bit less symmetrical, a bit more historically accurate. The original had a very fanciful interpretation of Poe's chair, which looked more like a medieval throne, and his desk was very plain, and pretty much empty except for some books and papers. For the new version, I wanted something closer to what Poe may have actually used. I also wanted to include a bust of the Pallas Athena. I gathered my reference materials, photographs of Poe, period furniture, books, Athena, and lots and lots of raven pictures.
Here is what I came up with in the new sketch.

I scanned the sketch, cleaned it up, and then started a value study using Photoshop. I placed the linework on a separate layer, and then using that as a guide for selecting areas, began coloring in and shading the black and white drawing. I wanted to be able to play around with the lighting at the sketch stage in a way that would allow me to change things easily. I have three sources of light in the image, two candles and a fireplace. The lighting was going to be tricky to make look convincing.
The left foreground also seemed a bit empty, so I added another, larger raven into the foreground. This is where I am at now with the value sketch. The big question now is, what size to I make the finished piece, and do I keep it in black and white, or do I add color? if I add color, do I make it a spot color such as red? Should I add the title "An Unkindness of Ravens" to the picture? Stay tuned.

Here is day one results of the actual painting. It is on an 8" x 10" stretched canvas.

Here is the latest version of the painting after laying in the color over the monochromatic underpainting.

Here is the final piece I delivered to the Scarlet Letter Press this week. I refined the painting and highlights, and added a coat of gloss medium over the eyes of the birds and Poe, as well as the inkwell, the buttons on his waistcoat and the ring on his left hand. I then gave the entire piece a coat of spray varnish. It is mounted into a black wooden box frame. You can see it on display at the Scarlet Letter Press in Salem through the month of October.