It's a lonely life...that of the necromancer, er freelancer

A blog by a designer and illustrator, for designers and illustrators which may contain musings on art, movies and random weirdness.
Showing posts with label Music. Show all posts
Showing posts with label Music. Show all posts

Tuesday, June 24, 2014

Merrimack Valley Community Music School Logo


A few weeks ago, my business partner Rae at New Arts Collaborative and I were contacted by The Merrimack Valley Community Music School,  a community-based, non-profit music school that is dedicated to helping people connect through music education and performance. They were very interested in having a logo developed for the school to use on their print materials and website. We scheduled a conference call with Valerie Walton, the Executive Director to get an idea of what the school was looking for and to try to brainstorm some ideas. Valerie had sent us some links to examples of websites/logos that she liked including the Northeast Organic Farming Association (www.nofamass.org/), The Essex County Community Foundation (http://eccf.org/), and the Arlington Center for the Arts (www.acarts.org/).
Their own website was very plain and offered few clues:


During the conference it became apparent that the school needed to achieve three goals: 1) Show visually and quickly that it was a music school, 2) Distinguish itself from other music schools in the area, 3) Contain a tagline and/or visual that would convey or encapsulate their mission statement.
Some of the other goals we discussed. Easy to read, easy to use, usable in black and white or color, designed so that it can be shrunk or enlarged easily without losing quality. 

The key words that I heard during our discussion was community, an important part of their identity, and growth, both in the sense of growing the school, and in the sense of personal growth. On their website they say:
 "Music at its best brings people together and creates positive energy within a community as a common language that bonds us beyond cultural, social and economic differences. Music education is a powerful way to learn about oneself and to explore the possibilities that lie within each of us, to reach for our highest good and potential". 
One of the essential ideas was that this school was for the entire community, and could help you grow at any stage of your life, from young child to adult. This was also the key to what distinguished this school from other schools, that were geared more for training school-aged children.

I started thinking about growth metaphors. And we decided that “Growing through music” might be a good tagline. This phrase would percolate in my brain for a while.

The first thing I did after the conference call, was start researching music forms and notations. G-clefs, musical notes, stops, time notations.  I started playing around with the forms. This was the first round. A I usually do, I started designing in black and white, playing with the forms in Adobe Illustrator.


















We then received feedback from Valerie, as well as the School's Director, Charles Leinbach. He thought that the emphasis should be on the words "Merrimack Valley Community" rather than on "Music School". He also didn't think that the music notations were working. However in one of her e-mails Valerie suggested trying; "Bass (or F clef) and Treble (or G clef) Bass is lower and treble is higher as they sit on the GRAND STAFF A music chord (or arpeggio or phrase) often is thought of as going from low to high.  I wonder about a plant or vine somehow growing up the grand staff. Possibly too complicated."
 The idea of a growing plant seemed to fit, especially as one of their preferred colors was green. Then I came across this image of a note:















It struck me how leaf-like the flag on the top of the note appeared. That got me to thinking about the base of the note being like a seed-pod. I had a bit of a eureka moment. The image literally came to me in my sleep. Upon waking, I did a quick sketch in my notepad. 

Developing that idea, this is what I came up with this for the second round:

















I wanted to make sure that the client was clear on the intended metaphor and added the notations explaining the components as extra insurance. We sent these off, and the feedback was positive.
They really liked the central idea. Now it was refining the text, positioning and color.
 The biggest problem was integrating the text. One of the reasons I wanted to emphasize  "Music School" instead of "Merrimack Valley Community" was because of the length of that text. "Music School" is nice and short. So I had to play around with it a bit to get it to work. The client also wanted to lose the "berries", and preferred the stalk of the musical note/plant, to break both the "ground" it was placed into as well as the frame it was contained in. Here is round 3.
I have developed both a vertical as well as a horizontally-oriented  version of the logo. I have also selected a complementary orange color to go with the green. The colors were Pantone 1375 (orange), Pantone 349 (dark green) and Pantone 376 (light green).
As usual I developed the logo to be modular, comprised of a logo-mark, and a word-mark, which can be used together or separately in different configurations. This allows the most flexibility in application.
Here is the guide I developed showing the final logo.


















The client was very happy with the result.

Tuesday, March 18, 2014

Jennifer Evans: The Last Cheap Hotel Promotional Package


I have been working for the last several months through New Arts Collaborative on a promotional package for folk singer Jennifer Evans. This included updating the look of her website and designing the cover for her new CD, “The Last Cheap Hotel.”
Evans’ elegant mezzo, her insightful phrasing and her warm connection with audiences make her a spellbinding performer and balladeer. The stories she tells with song — some of the most memorable composed by her brother Griff —  deliver us into the throes of joy, love, loss, remembrance and hope. The design of the materials was determined partly by the singer's personal preferences, but also by the mood and social conscience of the music. 

The first thing was to develop a mood board. One of Jennifer's music heroes and influences was folksinger Woody Guthrie. This seemed to call for a visual style that would capture something of the period in which he was singing, 1930's depression-era Americana. I started looking at a lot of depression-era artwork including Edward Hopper, to try to come up with a look and feel for the package. I developed some "theme boards" comprised of images from that period.
Working with Jennifer,  New Arts Collaborsative principal Rae Francoeur and photographer Kathy Tarantola scouted locations on the north shore and tried to pin down a wardrobe for the shoot. They eventually found a large Victorian house to serve as a backdrop/setting in Jennifer's hometown of Danvers. Although not a "cheap hotel" it had the proper kind of run-down gentility that we were looking for.
















They tried numerous poses, and several different outfits before we all agreed on one that we liked.
Once the main images and style were set, I began designing the CD packaging.  We decided to go with Oasis Disc Manufacturing http://www.oasiscd.com as the vendor, and after exploring several options for packaging, decided to use one of their environmentally-friendly CD-UD100 digipaks.
This went through many many rounds of changes and revisions on image, type and configuration until we arrived at this design for the CD package.






















 This is the front and back cover layout, and a sample spread for the 16-page insert booklet.





























We decided to go with a solid-color design for the CD itself.

Once the CD print packaging was completed, the next step was to redesign Jennifer's website to more closely reflect the new album . This is the homepage for the old website. It was perfectly functional, but had not been updated in several years.

















Using iWeb and some third-party applications for customization, I developed a design for a new, quick, inexpensive and easy-to-maintain, 6-page website that would include links to social media, sites where you could listen to and purchase the music, download the lyrics and press photos, and generally reflect the new branding of the CD packaging.  Below are three sample pages from the new site. http://jennifer-evans.com
As of this posting it is still being updated, and revised.





In addition to the CD packaging, as we approached the actual release of the album, I designed and produced a number of other print collateral pieces that were either sent to Radio stations and promoters, were included with the CD at performances, or appeared as PDFs on the website for download.
These included a Q&A document:



















A description of the tracks on the album.



















A press release.



















A lyric sheet.


















Friday, January 25, 2013

Rockport Music Postcards

A series of postcards designed for the Rockport Music Association through the marketing firm New Arts Collaborative. These postcards promote different programs in the upcoming 2013 season, covering Flamenco, Vocal and Classical performances at the Shalin Liu Center in Rockport, MA. The goal was to have each postcard have a distinctive look, while staying within the overall branding. The final postcards were printed at Cricket Press in Manchester, MA.