Artspeak: Awaken Promotional Materials

Besides helping to plan, organize and set up the recent Artspeak:AWAKEN art show, concert and auction, and painting two entries for submission, I also designed all of the promotional materials including a 13" x 19" poster, an 8.5" x 11" flyer, and a 4" x 6" postcard.

ARTSPEAK!:AWAKEN Painting Number 2

After finishing my Artspeak entry number 01, "The Universe Awakens", I decided I would try to do another painting. This one is much larger and more ambitious.
My plan was to paint a painting based on a photo that I had snapped of my wife Amy shortly after we had moved into our condo. She had arisen one morning in her night gown and had gone to the window to look out at something. I saw her there framed in the window, and the light was very nice, so I grabbed my camera and took a quick shot. It was very spur of the moment.

Cut to 6 years later. I am rummaging around in my file folder of images I have wishfully named "Painting Ideas" (images I think would make nice paintings someday). This one is in it.

It occurs to me that this might be an image that would fit the Artspeak "Awaken"theme.

There were two blank 48" x 60" canvases at the church office, which belonged to my friend Kirsten. Since she is a young mother with 3 children and a job, and it was unlikely that she would be using either canvas anytime soon, and she graciously donated one of them to me.

This is the first time I have tried a painting quite this large in quite a long time.
First order of business was re-priming the canvas with several coats of gesso so that it was clean, and tight on the frame.
Next I printed out the photo on a piece of 8.5" x 11" paper and drew a grid of horizontal and vertical lines about 1 inch apart. I then calculated the size they would be on the large canvas and drew a corresponding grid on the canvas using a yardstick and a graphite stick. Then I sketched a cartoon of the image using the grid as my visual guide. Once I got that sketched in graphite, I started painting, roughing in the light and dark areas using white and black acrylic, to create some underlying tone.

Next I took some burnt sienna and started redrawing the details of the figure and background.

Then I started adding in some touches of color. Layering it in, in thinner, very liquid washes.

Then it was adding in the details, working from broader to finer areas.

Here is the palette, (an enameled meat tray)

In some cases, painting over the same areas multiple times. After about 3 full days worth of work this is where I am at. I am hoping to finish this up before the submission deadline of Tuesday, March 4.

Latest work, as of Thursday, March 7th. Looks like I will be working on this up until the last possible second!

Well, here it is, the final signed painting. Worked on until about 4:30 Friday.
Probably about 40 hours worth of work. I decided to title it simply "At the Window".

Artspeak AWAKEN Promo Piece

Our church, High Rock Northshore, holds a Performing and Visual Arts Show to Fight Human Trafficking in Salem, MA  every March to raise money and awareness for different organizations involved in fighting human trafficking. Last year the organization was iSanctuary, a California-based organization that helps women rescued from sex trafficking return to normal lives. Each year has a different theme that relates to the cause. 2013's theme was "Restore". This year's organization is Amirah House (www.amirahboston.org),  a "non-profit organization located in the Boston area dedicated providing “transformative whole-person care for survivors of commercial exploitation as we engage, educate and mobilize our communities and partners to respond to human trafficking.”

The theme this year is AWAKEN: "Art wakes us up. Just as we’re nodding off to the repetition of daily life, a picture or song or film or story rouses us, reminds us that the world is strange and beautiful, full of mysteries and wonders. Sometimes the awakening is pleasing to our senses, sometimes jarring. Either way, we feel more alive, more aware as a result." As part of the Arts group that helps plan, set-up and run the show, I was selected to produce the signature image for the event promotional materials. I kicked around several ideas for the piece. I knew I wanted something I could paint, that was different, impressive visually, and not cliché, (like a sunrise, sleeping beauty, Rip Van Winkle, etc.) or overtly religious in nature.

Then I happened across several images from the Hubble Space Telescope on a friend's FB post. 

 
They were beautiful and mysterious, like looking into creation itself. I felt that these images lent themselves perfectly to the "awaken" theme, on an almost cosmic level. The universe "waking up". 
There were many images to choose from, but I settled on one that seemed to draw the eye in a natural spiral, and also had a variety of colors in it, as well as some great contrast between the largely orange background and the intense blue of the stars.

 
Although the image was freely available on the internet, and I could have used the photograph itself, I felt strongly that I wanted to paint the image. I wanted it to feel more organic and personal. I gridded out an 8.5" x 11" color printout and created a scaled up corresponding grid on a 14" x 18" x.5" gessoed wooden panel. 

 


I started with a loose underpainting in orange and burnt umber. I quickly discovered that the image that at first appeared to be very simple, was in fact, incredibly complex and  unlike anything I had ever painted before. I render a lot of recognizable objects, in my paintings, people, buildings, vehicles. Things with recognizable scale, angles, orientation, and most importantly, edges.
This images was vast areas of space that were filled with nothing but dust, gas and stars.
Plus I was working in acrylic, and it was very hard to blend the colors for the soft look of gas clouds. I lamented the fact that I no longer own an airbrush. It was a lot harder than I had anticipated.

 
I started to add in the darker areas. If I had it to do again, I would paint the entire panel dark brown, and then add the clouds of gas over that as layers of semi-transparent washes, rather than adding in the darker areas over the orange. At one point I was so frustrated that I was ready to chuck the piece out, but I stepped away. When I came back to it, instead of feeling like I was fighting the medium, (drying too fast, not malleable enough)  it felt like it was starting to work for me. I was adding layer upon layer of thin washes, for the gas, punctuated by the opaque blue and white of the stars. It became more and more complex visually. After working on it for two days, I decided I had better stop, as the image is so complex, that I could literally spend another 20 hours adding in details.
This is what I ended up with. I fell it conveys the essence of the original image, but has some more personal touches, especially in the intensity of the colors and the brushwork.

    


I call the piece "cosmic awakening"