Summer Camp

Trapped at home during the Covid19 pandemic, I find myself wishing for places and things that are not currently available, or perhaps never were. One of these things is spending the summer at a private camp on a freshwater lake, and skinny-dipping at night with a friend.

Robot Dream , Part 2

Late one afternoon while I was out hunting vermin, one of the biggest, most intact, still-standing robots began to move. It was one of the big, black ones. They were different from the type I lived in the head of. There were fewer of them for one thing. Slightly larger, with a heavier build, and a lot more sinister looking. This one didn’t move a lot, but it moved enough to dislodge a section of a destroyed skyscraper, which crashed down on my home, and crushed it flat. I was fortunate to not be inside it at the time, but losing my home left me short of supplies and vulnerable to the nighttime ministrations of the rats.
I had sometimes caught a glimpse of light from the ruins of the robot my robot head had been detached from.  That indicated a possible tenant. Hopefully a friendly one. Although risky, I made a beeline for the body.

When I arrived there, I found no easy access. The robot was standing, having shut down when the head (my home) had been knocked or blasted off in whatever conflict produced the ruined city and the giant, dead robots.  It loomed above me. There was a lot of rust. Whatever markings had once been on it were faded to the point of illegibility. I could see the breached access hatch on the torso of the robot. I had to search around for a bit for the maintenance handholds which were recessed into the front and sides of the robot at fairly regular intervals.
I was going to have to climb up 40 or 50 feet to reach the breach in the robots outer skin. It was no easy climb. The maintenance handholds alternated between recesses cut into the robots skin, and metal rungs which stuck out from it. Some were missing or torn off, and others were so rusted- looking that I feared they would break under my weight.

Robot Dream

I dreamt I was living in the ruins of an enormous city. It sat on a huge flat plain, and the ruins stretched as far as the eye could see. The buildings looked like they had once been tall towers and skyscrapers of glass and steel, but now were just empty hulks of rusting metal.

Standing among the ruins were giant figures , more than a hundred feet tall. They were the remains of the giant robots, the last fighters in the war that destroyed the city. Some were lying flat on the ground, in pieces, but some were still standing. Rusted, looming figures.

In the dream I was living in the severed head of one of these metal giants. It lay on its side partly embedded in the earth, surrounded by broken bits of concrete and rebar. The severed wires and conduits and shafts that had connected it to its body dangled from the stump of it’s neck. I had emptied the head of whatever equipment it had contained, which was now strewn about the head in rusting piles. I had knocked out the robots left eye, and that was my access into the interior. I had to crawl to get inside. A curtain of some dirty red cloth served as a door.

The robot body that the head had been severed, blasted or knocked from, was still standing some quarter mile away behind a low cluster of smashed buildings.

I lived the existence of a solitary scavenger. Hunting small animals like rats, and exploring the ruins looking for anything that might be edible or useful. The rats were particularly large and aggressive, and although easily dispatched as individuals, could, in a group, spell trouble for anyone caught out in the open, especially after dark.

Death Leaves a Business Card

Death leaves a business card.

Death joins a business networking group.
"Mr. Death, can you tell us a little about your business?"

"Well, I have been in business for a really long time . I originally trained as an angel, but when the whole original sin thing happened I was recruited to become the angel of death. My business is basically reaping souls. I separate the soul from the body and deliver it to the afterlife. I'm kind of like FedEx in that way. I have only lost one package in 2,000 years.

"What is a good referral for you?"

"Well really everyone, but specifically anyone with a terminal disease, suffering from the effects of a  terrible accident, or just really, really old.

"Do you have a business card?"

"Yes, I do, but I can't decide between a cheery card with flowers, or all black with a skull and crossbones. I know that the black one is rally more me, but I'm worried people may find it off-putting."

Another Killer Robot

I imagine the guy with the gun is attending some kind of pro-gun, pro-Trump, right-wing, fascist rally somewhere out in the woods, when there is a noise in the bush. Expecting to find spying libtards, or government stooges, this guy goes to investigate. He hears rustling close by in the bushes and draws his pistol. A killer robot arises from the bushes. Startled, the guy fires his handgun at the robot with no effect. The robot says "No guns" and vaporizes the gun, along with the guys hand. The robot identifies the assault rifle on the guy's back as a secondary threat, but since he can't do much with one hand, it is about to spare him and move on, until it notices the MAGA hat...

Killer Robots

The Little Mermaid

The Little Mermaid (Danish: Den lille Havfrue) is a bronze statue by sculptor Edvard Eriksen, depicting a mermaid becoming human. The depiction is based on the 1837 fairy tale of the same name by Danish author Hans Christian Andersen. The sculpture is displayed on a rock on the Langelinie waterfront promenade in Copenhagen, Denmark.

The statue was commissioned in 1909 by Carl Jacobsen, son of the founder of Carlsberg, who had been fascinated by a ballet of the fairytale in Copenhagen's Royal Theatre and asked the ballerina, Ellen Price, to model for the statue. The sculptor Edvard Eriksen created the bronze statue, which was unveiled on August 23, 1913.[5] The statue's head was modelled after Price, but as the ballerina did not agree to model in the nude, the sculptor's wife, Eline Eriksen, was used for the body

Based on the 1837 fairy tale of the same name by Danish author Hans Christian Andersen, the small and unimposing statue is a Copenhagen icon and has been a major tourist attraction since its unveiling in 1913.

I thought it might be fun to do a sketch of Edvard working in his studio, sculpting the model for the final bronze sculpture in terra cotta clay, while his wife poses nude.